i’m not saying this to
scare you but goodbye.
—from “fault tree” by kathryn l. pringle
Continuing its long, slow trek through Triangle cafes,
art-spaces and gutted garages, the Wax Wroth Reading Series returns in a new
location—The Carrack Modern Art, Durham’s
premier zero-commission gallery—to welcome award-winning poet kathryn l. pringle back to Durham.
The opening readers include a rogue’s gallery of old pringle
pals and conspirators: Shirlette Ammons,
Brian Howe, Fred
Moten, Tanya Olson, Dianne Timblin, Chris Tonelli, and Chris Vitiello. Damn! you must be thinking. That’s a lot of poets. (It is!) But
don’t despair. Before kate gives an ample 20-minute-ish reading, each opening poet
will offer just 5 to 7 minutes of their hottest verses, back to back. That
means you get to hear eight local poets in the same time usually allotted to
two or three.
The Carrack’s doors will open at 7:30 on June 27, with the
readings starting promptly at 8.
Quick Facts
What: Poetry reading
Who: kathryn l.
pringle & peeps
When: Thursday, June 27, 2013, 7:30
Where: The Carrack Modern Art (111 W Parrish St. / thecarrack.org)
Why: To welcome kate back to Durham
Organizer: Brian.G.Howe@gmail.com
Afterparty: Some nearby bar or another
Reader Bios
kathryn l. pringle is the
author of fault tree, which was
selected by C.D. Wright and a Lambda Literary Award finalist. Other works
include RIGHT NEW BIOLOGY (Heretical
Texts/Factory School), The Stills
(Duration Press), and Temper and Felicity
are Lovers (TAXT). Poems and prose can be found in Denver Quarterly, Fence, Phoebe, horse less review, and other journals. Her work has also been
included in Conversations at the Wartime
Cafe: A Decade of War (WODV Press), I’ll
Drown My Book: Conceptual Writing by Women (Les Figues), and The Sonnets: Rewriting Shakespeare
(Nightboat Books). In 2013, she was the very grateful recipient of a gift from
the Fund for Poetry. kathrynlpringle.blogspot.com/
Shirlette Ammons is
an award-winning Durham-based poet and Mt. Olive native who also directs a
youth arts program. Her most recent projects include Twilight for Gladys Bentley, her debut solo album released on Grip
Tapes Records; And Lovers Like, a
self-released collaborative album with the Dynamite Brothers; and Matching Skin feat. the John Anonymous EP,
a collection of poetry published by Carolina Wren Press. If you see her in the
street, ask her about Bentley Mode. shirletteammons.com/
Brian Howe is the
organizer of the reading. His poetry and sound-art can be found in Coconut, Effing Magazine, Cannibal, Drunken Boat, Esque, So and So, horse less,
Apocryphal Text, and others, plus in three chapbooks: Guitar Smash (3rdness Press), This
is the Motherfucking Remix (with Marcus Slease; Scantily Clad), and Foreign Letter (Beard of Bees). He works
as a freelance arts and culture journalist at Pitchfork, INDY Week, Edge Magazine, eMusic, and elsewhere. waxwroth.blogspot.com/
Fred Moten: Fred
Moten lives in Durham. His latest book of poetry, The Feel Trio, will be out this Fall.
Tanya Olson lives
in Durham and teaches at Vance-Granville Community College. Her first
book, Boyishly, was published by
YesYesBooks in 2013. Her work has appeared in Boston Review, Beloit Poetry
Review, Southword (IRL), PANK, Cairn, Fanzine, Bad Subjects, Main Street Rag, Pedestal
Magazine, Elysian Fields,
and Southern Cultures. In
2010, she won a Discovery/Boston Review prize and was named a 2011 Lambda
Fellow by the Lambda Literary Foundation. boyishly-tanya.blogspot.com/
Dianne Timblin lives,
writes, and edits in Durham. Her poetry has appeared or is forthcoming in Talisman, Phoebe, So and So, Fringe,
Rivendell, Fanzine, and Foursquare,
among others, and has been translated into Spanish for the Venezuelan literary
blog Eternal Typewriter. Her chapbook A
History of Fire was recently published by Three Count Pour, and her ongoing
series of lo-fi collages can be found on her blog, Art of Salvage. artofsalvage.tumblr.com/
Chris Tonelli works
in the Libraries at NC State and co-owns So & So Books in downtown Raleigh,
where he lives with his wife, Allison, and their two kids, Miles and Vera. He
is a founding editor of the independent poetry press, Birds, LLC, and he
curates the So & So Series and edits So & So Magazine. His first full-length collection is The Trees Around (Birds, LLC), and
his fifth chapbook, Increment,
is due out any second now from Rye House Press. soandsomag.org/
Chris Vitiello
lives in Durham with his two daughters. His most recent poetry book is Obedience (Ahsahta, 2012), a doubled
aphoristic series within two front covers. Other books include Irresponsibility (Ahsahta, 2008) and Nouns Swarm A Verb (Xurban, 1999). He is
a freelance arts, performance, and hockey writer for various newspapers, magazines,
and blogs, and is a chief contributor at INDY
Week. He also performs original toy theater, and writes custom poems at
public events as the Poetry Fox. ahsahtapress.org/product/chris-vitiello-2/
About the Carrack
Modern Art
From the Carrack’s
website
Our mission:
To empower local artists to forge productive cultural and
socio-economic ties with their community through professional exhibit and
performance opportunities in a zero commission art space.
The Carrack Modern Art provides a conduit for artists to
connect with their community through self-curated exhibits and performances in
a space that is NOT commercially driven. We have found that this framework
changes the kind of art that can make its way into the public domain. By
letting the artist take complete ownership of their art and its presentation,
we facilitate a more honest and direct interaction with their audience. We
believe in art as a vehicle for intellectual, cultural and socio-economic
growth and we also believe it is the community’s responsibility to collectively
support the arts — it’s a societal choice, and it’s that simple.
The Carrack is owned and run by the community, for the
community, and maintains an indiscriminate open forum that enables local
artists to perform and exhibit outside of the constraints of traditional
gallery models, giving the artist complete creative freedom. Our grassroots
approach facilitates a dynamic conversation between the arts community and
downtown Durham, one that directly fuels its ongoing revitalization.
About the Wax
Wroth Reading Series
Wax Wroth is a poetry reading series organized by Brian Howe
whenever he feels like it and has the opportunity to present something cool.
Prior Wax Wroths were held at the former 715 Washington art-space in Durham or
the Looking Glass Café in Carrboro, and featured readers such as Tony Tost,
Heather Christle, Tanya Olson and Chris Vitiello. Direct questions to brian.g.howe@gmail.com.
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